BIOGRAPHY

The vibrant, monochrome, bold and colourful paintings of Isshaq Ismail explore and investigate how the social, cultural, and political aspects of the modern world impact identity. Ismail paints faces and figures in impasto, typically depicting them with accentuated grotesque features and using black, brown, Blue, Purple, Green, Ochre and Red hues. His portraits also reflect his interest in themes such as desire, resilience, power, joy and hope; they tell stories and universal truths about societies around the world. Ismail studied at the Ghanatta College of Arts and Design, he lives and works in Accra, Ghana. 

Ismail’s paintings demonstrate a fidelity to what he has termed “infantile semi-abstraction,” a style that performs a studied, technically and conceptually rich form of childish abandon. Marked by the liberal use of impasto, gestural lines, and a vibrant colour palette, his works speak to the human condition in postmodernity. The thick layers of paint that compose his figures add texture and depth, belying the simplicity that initially greets the viewer’s eye. Ismail notes that his technique of painting mimics how a sculptor manipulates clay, which intimates a tactility to how the artist brings these subjects into being. There is an attentive freedom to the thick brushstrokes that sweep across canvas, imbuing the scene with the joyful possibility of liberation through non-conformity. Bold, bright, vivid colours saturate the scene, encasing both figure and background in pulsating energy. The figures themselves are surreal imagining of the human. Magnified lips, impressionistic noses, and a two-dimensionality to faces and bodies produce portraits that are raw and organic in their commentary on human life. Ismail explores the grotesque as an aesthetic form, asking what it means to confront the ugly and misshapen in a world, especially an artworld, that is fixated on beauty. These works stake a political argument in their interrogation of beauty standards, pressing questions of who gets to be deemed lovely and who languishes in the realm of the hideous and, so, disposable.

A keen observer of the world around him, the artist translates his felt sense of moods, emotions, and atmospheres into the figurative representations he paints. The end result is an at times disconcertingly honest glimpse of how social and political realities - our material aspirations in a consumerist world, the destructive force of racism or patriarchy - distort and unravel us. Bodies and identities appear fractured and haphazardly pieced together, demonstrating the daily reality of existing in the contemporary world and its conditions that undo. Ismail describes his art as making polemical statements about socio-political circumstances as a way of exploring them, in order to understand the texture and substance to these issues as well as to confront them in ways that ensure survival and freedom. However, the ravages of the world are not the only discernible sense of his works. Expressed here is desire, elation, wonderment, strength, resilience, joy, and hope, proving that the human subject is never wholly marred by adversity or violence.

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ARTIST STATEMENT

I am interested in breaking the mould of painting by subverting and interrogating the preconceived notion of the idea of beauty within the canon of painting, primarily figurative painting, and challenging the perception of aesthetics.  Desire, longing, wonderment, strength, resilience, power, Joy and hope can be seen in the face and figures of my work. I employ thick, loose, flat and cryptic gestural brushstrokes of Acrylic paint without inhibition, fear or conformity, like the way a sculptor sculpts human figures from clay, I sculpt my figures with the brush. I describe my vibrant, boldly coloured, thickly impastoed figuration as "Infantile semi-abstraction". The images I create become metaphors of people's sentiments and also serve as protagonists to represent the masses and advocate for the voiceless. Not trash, but people. Not remnants, but lives - look closer and they will tell you their stories.

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CURRICULUM VITAE

ISSHAQ ISMAIL
Born 1989, Accra, Ghana
Lives and works in Accra, Ghana

EDUCATION
2012 CERTIFICATE Painting, Ghanatta College of Art and Design, Accra, Ghana

SELECTED SOLO EXHIBITIONS

2023

• Beyond The Fence Begins The Sky, Efie Gallery, Dubai, UAE
  

2022

• Allure, Hdm Gallery, Beijing, China
  
• Beauty Behind The Madness, Gallery 1957, Accra, Ghana
  
• Not Trash But People, Gallerie Gerald Hartinger, Vienna, Austria
  
  
  

2018

Layers, Nicholas Roman Fine Art, New York, USA

SELECTED GROUP EXHIBITIONS

2024

• “Where Gesture Meets Story” Private Collection of Charles Al Sidaoui, The Arts Club, Dubai, UAE
• A Closer Look, 70 Square Metres, Shanghai, China
  
• Unlimited III, Curated by Marwan Zakhem, Gallery 1957, Accra, Ghana
  
• "ORIGIN" Galerie von Vertes and Destinee Ross-Sutton, Ross-Sutton Gallery 
  
• AD's Art of Living in Jubail Island, Abu Dhabi with Efie Gallery, Dubai, UAE 
  
• Launch of CENTRE FOR AFRICAN POPULAR CULTURE, Ashesi University, Accra,Ghana
  

2023

• Africa Supernova, Collection of Carla & Pieter Schulting, Kunsthal kade Museum, Amersfoort, Netherlands
  
•  “What Now” PM/AM Gallery, London, UK  
• Crossing in collaboration with CITY OF TALENTS, Lorin Gallery, Los Angeles, USA
  
• Gallery Team Picks, Corridor Contemporary, Tel Aviv, Israel 
  
• Modern Muses: Post-War & Contemporary Masters, Helwaser Gallery, New York, USA
  

2022

• Unlimited, Gallery 1957, Accra,Ghana
  
• EMERGE an initiative by Naomi Campbell curated by Aindrea Emelife, Doha, Qatar
• Home is where the Art is, Kunsthal Rotterdam
  
• Shout Plenty curated by Princess Ayoola and Jana Terblanche at African Artists Foundation / Alliance Francaise Ikoyi, Nigeria
• MATERIAL EARTH with Efie Gallery in collaboration with Christie's London, UK
• 4000+ Years of African Art" / "+4000 ans d'Art Africain" curated by Destinee Ross-Sutton at the Wall House Museum in Saint Barthelemy
• Art of the present Future, Almaden, Madrid, Spain
  

2021

• BLACK EXCELLENCE - BLACK ELEGANCE, Ross-Sutton Gallery 45 Lincoln Road, Miami Beach, Florida, USA
• (West) African Renaissance with Gallery 1957 in collaboration with Christie's, Dubai, UAE
• All Africa Festival Burj Park Downtown Dubai by EMAAR, Artwork presented by kuenyehiaTrust for Contemporary Art and showcased by Efie Gallery
• "AWAKENING" (Nature's Safe Charity in support of Animals facing extinction) curated by Aubrey Higgin, Noho Studios, London
• SAY IT LOUD 2 (Visionaries of Self) curated by Destinee Ross-Sutton, Christie's New York, USA
• Gallery extended 1-54 NY presentation, Ross-Sutton Gallery, New York,USA

2020

• “BLACK VOICES: Friend of My Mind" at Ross - Sutton Gallery, New York, USA.
• SAY IT LOUD (I'm Black and I'm Proud)" curated by Destinee Ross-Sutton, Christie's New York USA
• Cgunu/Nkambom, Cape Town, South Africa
  

2019

• BLAU! FISCHE! at To Live is To Choose Gallery, Stuttgart, Germany
  
• Various Artists at To Live is To Choose Gallery, Stuttgart, Germany
  
• Celebration of Australia Day in collaboration with the National Museum Australia and Gertrude Foundation at Australian High Commission, Accra, Ghana

2018

• James Town Cafe Exhibition: Prince Charles and Camilla Duchess of Cornwall visit to Ghana, Organized by the British High Commission and Artist Alliance Gallery, Accra, Ghana
  
• AC1 (African Contemporary One) at Nicholas Roman Fine Art, New York, USA
• African Day Summer Show at WTC The Hague Art Gallery, Netherlands
  

2017

Orange week Fuse It at Netherlands Embassy, Accra, Ghana

2016

• Barclay's L'Atelier Finalists Show at Absa Gallery, Johannesburg, South Africa
  
• Holland & Ghana Growing Together at Netherlands Embassy, Accra, Ghana
  

2013

National Museum, Accra, Ghana

ART FAIRS

2023

• Art Cologne with Pearl Lam Gallery, Hong Kong, China
  
• Dallas Art Fair with PM/AM Gallery, London, UK
  
• Art Basel Hong Kong, with Pearl Lam Gallery, Hong Kong, China
  
• Art Fair Tokyo, with Pearl Lam Gallery, Hong Kong, China
  
• Art Dubai with Efie Gallery, Dubai, UAE
  
• Art Geneve with Gallery 1957, London, UK
  

2022

• Art Miami with Helwaser Gallery
  
• Solo booth at 1-54 London, Gallery 1957, London, UK 

2021

• Art Miami with Waterhouse & Dodd

• Westbund Art & Design Fair Shanghai with Bloom Galerie in collaboration with HDM Gallery 

2019

• St-Art, the Contemporary Art and Design fair of Strasbourg with La Galerie Florence, France
• Art Montpellier Fair with La Galerie Florence, Beziers, France
  

COLLECTIONS

Private Collections

WORKS & PROJECTS

• 2020 Crit Lab, Foundation For Contemporary Art, Accra, Ghana
  
• 2018 Chalewote Art Festival, Accra, Ghana
  
• 2017 Chalewote Art Festival, Accra, Ghana
  
• 2015 Imago Mundi (Contemporary Artists from Ghana)
  
• 2014 32/64/90 World cup Art project with Uniform creative Consultancy UK - Selected Ghanaian Artist

RESIDENCIES

• 2024 Introspection Residency, Isshaq Ismail Studio (Accra, Ghana)
• 2023 Efie Gallery, Dubai, UAE
  
• 2022 Gallery 1957 Accra, Ghana
  
• 2020 Quarantine Residency, Isshaq Ismail Studio (Accra, Ghana)
  

  

TALKS

• 2022   Critlab  Facilitator,  Red Clay Studio, Tamale,  Ghana
  

AWARDS & COMPETITIONS

• 2019 Shortlisted for GUBA (USA) Influential Artist Award
  
• 2016 Barclays L'Atelier Art Competition, Johannesburg, South Africa -Top 100 finalists
  
• 2016 Kuenheyia Art Prize, Accra, Ghana - Top 10 finalists
  
• 2015 Kuenheyia Art Prize, Accra, Ghana -Top 10 finalists

BIBLIOGRAPHY

   

Publication

2024

             

• NEW PERSPECTIVES Contemporary Art From Ghana,  In collaboration with Untamed Empire and Nuvo publishing, p. 182 - 185

      

2023

         

• “Voices :  Ghana’s Artists in their own words”, Manju Journal, Twentyfour  Thirtysix Ltd, p. 120
• Beyond The Fence Begins The Sky, Efie Gallery, Rebecca Anne Proctor
  
• Africa Supernova, Collection Carla & Pieter Schulting, P. 82 - 83
  

    

Prints

2022

•   June 10,  B & FT,  “ Canoe Vibes with Anny Osabutey: Isshaq Ismail - Confronting  Socio-cultural  and Political sermons as a work of  art”  
  

 

Online

2024

               

• June 28, StirWorld “A group exhibition in Accra focuses on the family unit as the cornerstone of survival” Kwame Aidoo          
  

             

2023

     
          

• March 3, ArtNews “The Best Both at Art Dubai, from a Verdant Office to Visions  of  Urban Decay” Nadine Khalil
  
• March 1, The National News “ Art Dubai returns with glaciers, Feminism and  Precious  stones  inspiring  Creatives                             

2022

               

• Oct 18, “Missed the London Fairs? We Scouted 6 Fast-Rising Artists to Watch From Frieze and 1-54”, Amah-Rose Abrams
• June 12, The B and FT online, “Canoe Vibes: Isshaq Ismail – confronting socio-cultural and political sermons as a work of art”
  
• May 8, Arab News, “Dubai Gallery presents Ghanaian contemporary art at Christie’s London”, Rebecca Anne Proctor
  
• April 29, Christies, “‘The eyes of the art world are on Ghana right now, and they like what they see’”
  
• Apr 8, Christies, “Christie’s Collaborate With Efie Gallery, Dubai, to Present Material Earth”, Sara Macdonalds
  
• Mar 23, Latitudes, “Is Isshaq Ismail The Next Amoako Boafo?”

2021

•     Aug 26,Artsy, “Art Market 10 In-Demand Works on Artsy This Week: August 6, 2021”, Kaylie Felsberg and Beatrice Sapsford
  

2020

                

•  May 21, Unorthodox Reviews, “The Essence of African Art: Isshaq Ismail”, David Omari
  

           

Interviews

2022

              
Feb 9 , Medium  “ Isshaq Ismail Journey through Art” in conversation with Delasi Kekeli Studio

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